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	<title>Comments on: Motivation #7</title>
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		<title>By: Louis</title>
		<link>http://www.deanwesleysmith.com/?p=660&#038;cpage=1#comment-587</link>
		<dc:creator>Louis</dc:creator>
		<pubDate>Thu, 31 Dec 2009 02:42:36 +0000</pubDate>
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		<description>Again niiice. Very meaningful and to the point.

I think I have number One of your last three goals mostly down, for short stories not for novels though. I have thought about setting aside a certain time just to work on novels, which may be the only way to do it. Getting a laptop would help but that isn&#039;t going to be soon.</description>
		<content:encoded><![CDATA[<p>Again niiice. Very meaningful and to the point.</p>
<p>I think I have number One of your last three goals mostly down, for short stories not for novels though. I have thought about setting aside a certain time just to work on novels, which may be the only way to do it. Getting a laptop would help but that isn&#8217;t going to be soon.</p>
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		<title>By: dwsmith</title>
		<link>http://www.deanwesleysmith.com/?p=660&#038;cpage=1#comment-581</link>
		<dc:creator>dwsmith</dc:creator>
		<pubDate>Wed, 30 Dec 2009 00:23:40 +0000</pubDate>
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		<description>I tend to look at short fiction markets with three things in mind.

#1...How much do they pay?
#2...How big is their readership?
#3...Prestige. 

I never go to any market under 3 or 4 cents per word without the other two factors being huge. So yes, not all short fiction markets are created equal by a long, long ways. I tend to always start at the top (New Yorker) and work down (yes, even with sf stories). But I also have a love for the Dell Magazines and F&amp;SF and try to support them, so I often just go there first. But since my stuff is so weird at times, I have a hard time hitting them.

Cheers
Dean</description>
		<content:encoded><![CDATA[<p>I tend to look at short fiction markets with three things in mind.</p>
<p>#1&#8230;How much do they pay?<br />
#2&#8230;How big is their readership?<br />
#3&#8230;Prestige. </p>
<p>I never go to any market under 3 or 4 cents per word without the other two factors being huge. So yes, not all short fiction markets are created equal by a long, long ways. I tend to always start at the top (New Yorker) and work down (yes, even with sf stories). But I also have a love for the Dell Magazines and F&#038;SF and try to support them, so I often just go there first. But since my stuff is so weird at times, I have a hard time hitting them.</p>
<p>Cheers<br />
Dean</p>
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		<title>By: Jerome Vall</title>
		<link>http://www.deanwesleysmith.com/?p=660&#038;cpage=1#comment-580</link>
		<dc:creator>Jerome Vall</dc:creator>
		<pubDate>Tue, 29 Dec 2009 21:30:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.deanwesleysmith.com/?p=660#comment-580</guid>
		<description>Hi Dean,

Another great post. It really helped me find a balance between writing, market research, and learning how to be a professional. Write every day, and do the other stuff once a week. I made a chart to help me stay on track.

Another question, this one regarding short stories. How should a new, unpublished writer determine which markets are not to be considered? I&#039;m not talking here about the high end, but the low end.  I hear someone like John Scalzi rant about a market that pays 1/5 cent/word...and it makes me think that not all markets are created equal. Any helpful thoughts?

Thanks,
Jerry</description>
		<content:encoded><![CDATA[<p>Hi Dean,</p>
<p>Another great post. It really helped me find a balance between writing, market research, and learning how to be a professional. Write every day, and do the other stuff once a week. I made a chart to help me stay on track.</p>
<p>Another question, this one regarding short stories. How should a new, unpublished writer determine which markets are not to be considered? I&#8217;m not talking here about the high end, but the low end.  I hear someone like John Scalzi rant about a market that pays 1/5 cent/word&#8230;and it makes me think that not all markets are created equal. Any helpful thoughts?</p>
<p>Thanks,<br />
Jerry</p>
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		<title>By: Louise</title>
		<link>http://www.deanwesleysmith.com/?p=660&#038;cpage=1#comment-578</link>
		<dc:creator>Louise</dc:creator>
		<pubDate>Tue, 29 Dec 2009 19:04:27 +0000</pubDate>
		<guid isPermaLink="false">http://www.deanwesleysmith.com/?p=660#comment-578</guid>
		<description>At last!
I think I&#039;ve found sound advice without feeling that I was patronised. 
Thank you, please keep it coming.
Louise</description>
		<content:encoded><![CDATA[<p>At last!<br />
I think I&#8217;ve found sound advice without feeling that I was patronised.<br />
Thank you, please keep it coming.<br />
Louise</p>
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		<title>By: dwsmith</title>
		<link>http://www.deanwesleysmith.com/?p=660&#038;cpage=1#comment-577</link>
		<dc:creator>dwsmith</dc:creator>
		<pubDate>Tue, 29 Dec 2009 18:05:48 +0000</pubDate>
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		<description>Natasha, short answer: Be nice.  If it&#039;s a novel, get your agent to do the nagging. 

The key is to not get into what I call &quot;Clarion Time Stretching.&quot; At Clarion, a week feels like a month, and after six weeks you often can&#039;t remember what it&#039;s like at home. Well, in writing business, this kind of time stretching is normal. You are focused and don&#039;t have any real understanding of how little an amount of time has passed. Business takes time.

Richard Curtis once challenged any New York publisher that some of his clients could write entire novels faster than they could cut a check. No one took him up on it, because it&#039;s true. I can write a novel a ton faster than any publisher can mail me a check. Just the nature of the business. No easy solution.

Cheers
Dean</description>
		<content:encoded><![CDATA[<p>Natasha, short answer: Be nice.  If it&#8217;s a novel, get your agent to do the nagging. </p>
<p>The key is to not get into what I call &#8220;Clarion Time Stretching.&#8221; At Clarion, a week feels like a month, and after six weeks you often can&#8217;t remember what it&#8217;s like at home. Well, in writing business, this kind of time stretching is normal. You are focused and don&#8217;t have any real understanding of how little an amount of time has passed. Business takes time.</p>
<p>Richard Curtis once challenged any New York publisher that some of his clients could write entire novels faster than they could cut a check. No one took him up on it, because it&#8217;s true. I can write a novel a ton faster than any publisher can mail me a check. Just the nature of the business. No easy solution.</p>
<p>Cheers<br />
Dean</p>
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		<title>By: Natasha Fondren</title>
		<link>http://www.deanwesleysmith.com/?p=660&#038;cpage=1#comment-575</link>
		<dc:creator>Natasha Fondren</dc:creator>
		<pubDate>Tue, 29 Dec 2009 17:06:18 +0000</pubDate>
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		<description>I think the check is the most fun, LOL!

Oh, hey, someday, if you&#039;re looking for a blog post idea, I&#039;d love one on how to nag an editor for payment without annoying said editor.</description>
		<content:encoded><![CDATA[<p>I think the check is the most fun, LOL!</p>
<p>Oh, hey, someday, if you&#8217;re looking for a blog post idea, I&#8217;d love one on how to nag an editor for payment without annoying said editor.</p>
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