Each workshop is 6 weeks long and is limited to twelve people. (Again, it will take you about four hours per week to do each of these.) These are the starting dates of upcoming workshops.
All have openings at the moment. For sign-up and more information about each workshop, click the Online Workshop tab at the top of the page.
Starting June
Class #17… June 3rd … Cliffhangers
Class #18… June 4th … Pitches and Blurbs
Class #19… June 5th … Genre Structure
Class #20… June 6th … Openings
Class #21… June 7th … Idea to Story
Starting July
Class #22… July 8th … World Building
Class #23… July 9th … Plot Your Novel
Class #24… July 10th … Designing Book Covers
Class #25… July 11th … Designing Book Interiors
Class #26… July 12th … Essentials
Starting August
Class #27… August 5th … Ideas to Story
Class #28… August 6th … Openings
Class #29… August 7th … Genre Structure
Class #30… August 8th … Pitches and Blurbs
Class #31… August 9th …. Cliffhangers
Starting September
Class #32… Sept 2nd … Essentials
Class #33… Sept 3rd … Plot Your Novel
Class #34… Sept 4th … World Building
Class #35… Sept 5th … Designing Book Covers
Class #36… Sept 6th … Designing Book Interiors
Sign-up and more information under Online Workshops tab at the top of the page.
Thanks for the link, Dean!
You know, I just heard the other day that the mass market best seller list would get you in the 30-50k advance range. I was sort of surprised by that. I mean, I hadn’t really crunched the numbers to see how many books that meant, but I sort of assumed it was higher. Well, I think I’ve always thought of it as in addition to hard cover. It never really occurred to me to think what a direct to mass market best seller would be worth.
So, a 50K advance – 19th on the Best seller list – almost earned out in 6 months.
Always fascinating to see numbers like that! Thanks!
No doubt she’s going to get more money on the next contract. Just for getting that close.
But there are a lot of books that have higher numbers, much higher numbers and don’t slide anywhere near a list at the same time. It takes a number of factors, one of which she has rabid fans who rush out to buy the book in the first week out. That’s a key.
Also note she debunks the self promotion myth. She does none. Period.
Cheers
Dean
What I also noticed is that she’s in the 30% tax bracket, if the government got $15K of her $50K advance. She must be doing pretty well, all books combined.
Wow, that’s some good reality therapy.
Thanks, Dean, for passing along the link.
Very interesting to see the actual numbers.
I’ve always wondered why publishing doesn’t promote their specific sales numbers, unlike movies and music which proudly announce the number of tickets or units they sell.
Actually, David, they do in places. Publisher’s Weekly every year has the round-up of number of all the top-selling books. That’s an illuminating article because they also tell you which made lists and which didn’t.
The main problem is that these numbers for each author are from a personal contract with the publishing company, thus protected by the contract. That’s why it is so rare to see a major author post a royalty statement. It’s part of a contractual document and very private business concerning the writer’s income.
Cheers
Dean
Thanks, Dean. Is there a particular time PW publishes that article? Begiining of the year, end?
I’d be very interested in getting a better sense of what the real numbers are beyond the hype of say, “4 million copies sold’. I was actuall surprised it “only” took 78k units sold to make the extended NYT list.
As always amazing information
David
Actually, it’s usually around the first of March some time. The reason she did so well with (as you say) only 78 K is how fast those copies sold. That’s the key if you don’t have huge numbers, it’s speed. She sold a huge chunk of them in one week.
Cheers, Dean