Each workshop is 6 weeks long and is limited to twelve people. (Again, it will take you about four hours per week to do each of these.) These are the starting dates of upcoming workshops.
All have openings at the moment. For sign-up and more information about each workshop, click the Online Workshop tab at the top of the page.
Starting June
Class #17… June 3rd … Cliffhangers
Class #18… June 4th … Pitches and Blurbs
Class #19… June 5th … Genre Structure
Class #20… June 6th … Openings
Class #21… June 7th … Idea to Story
Starting July
Class #22… July 8th … World Building
Class #23… July 9th … Plot Your Novel
Class #24… July 10th … Designing Book Covers
Class #25… July 11th … Designing Book Interiors
Class #26… July 12th … Essentials
Starting August
Class #27… August 5th … Ideas to Story
Class #28… August 6th … Openings
Class #29… August 7th … Genre Structure
Class #30… August 8th … Pitches and Blurbs
Class #31… August 9th …. Cliffhangers
Starting September
Class #32… Sept 2nd … Essentials
Class #33… Sept 3rd … Plot Your Novel
Class #34… Sept 4th … World Building
Class #35… Sept 5th … Designing Book Covers
Class #36… Sept 6th … Designing Book Interiors
Sign-up and more information under Online Workshops tab at the top of the page.
My streak died in March. I finished my book (Beach Bitches) on March 26 (and learned I like starting a new project on the first of the month — makes the math easier). So I had 26 days of at least 1000 words per day in March. My streak lasted 85 days, and I wrote almost 92,000 words.
I started a new streak with a new book (Get Gone) on April1, but I’m working at 500 wds per day while I get Beach Bitches in shape (at least that’s the theory). So April was 30 days with no misses for 18,427 words.
Thanks for keeping track of this. I find the accountability hugely motivating!
5-week, weekly streak through week ending today, May 3rd, 108 pages in total. Yes !!
I have a question. Not about streaks, but about writing more generally. I’ve read through your archives and you mention writing novels just by typing the title and then just _writing_ til you get to the end. And you often reference Heinlein’s rules for writers and the 1/3 wall.
So my question–do you ever go back and fix a problem in the novel, maybe rewriting some of it to do so. Or do you just plow ahead come hell or high water? I wonder because just throwing myself into my (first) novel with no outline, no nothing is a daunting idea*. And the idea of just writing til its done would make it easier–but what if you’ve genuinely written yourself into a corner?
When are you really changing course so the story works and when are you revising against Heinlein’s rule?
*On the other hand, I could probably waste endless time trying to outline something so just jumping in may be the best idea.
Oh, I’m the bunch of writers who fix the moment we realize something is wrong. I sort of cycle back to where the problem is, fix it and then fire forward again, using parts of what I might have written past the problem to energize me forward.
Many writers are never touch writer, just making notes as they go along as to what needs to be fixed and powering to the end.
The key with both methods is that the notes and my jumping back are done in the creative heat of the writing, not in a “critical voice” where everything looks like crap.
And I also fix details a first reader finds.
Just remember, just because you typed it doesn’t mean it’s in stone. But the key Heinlein’s Rule #3 aims at is only write in a creative voice, leave it alone after that. I’m sure if you saw a Heinlein manuscript right out of the typewriter, it would have a few scratch out and problem fixes on it.
Good luck with the book. And remember, have fun. Creating new fiction is almost always great fun. Enjoy the process.
Cheers, Dean