Since we are giving special Fiction River volumes with all sign-ups for October workshops, and people are starting to sign up, I figured it was time to do a full post on the October workshops, including their blurbs and promotional covers.
So here they are, all ten online workshops for October. Sign Up instructions and more details about the workshops under the Online Workshop tab above. Remember, all these workshops are limited to 12 writers per month and with the Fiction River volume bonus, some of these will fill this month. Don’t delay.
Kris and I are two of the most prolific long-term writers working today. And we have done that year-after-year for thirty years. Well, finally we decided to tackle the one area we have been avoiding in teaching.
That’s right, we’re finally going to teach that skill. And in this new indie world, productivity is a critical skill to have.
If you followed my blog last year and watched me write twelve novels, three nonfiction books, and thirty-plus short stories while working a day job with WMG Publishing and workshops, you know what productivity is. Kris and I can teach you how to do that and a lot of other ways of being productive.
If you are tired of looking back at a year and wondering why you didn’t write more, this workshop is for you.
If you think you just write too slow, this workshop is for you.
So for a six week workshop online, we are going to help writers become more productive and learn habits and techniques that will keep you productive for years to come. Six weeks of videos, five assignments. If you want an extra book per year, or just more stories, and can never seem to make it happen, this new workshop starting in September is for you.
We can all find extra time, but most writers don’t know how to convert that extra time over months and a year into more stories and novels.
This is a nuts and bolts workshop, not on craft workshop. This workshop will work if you want to write a first novel or just add more novels and stories to your yearly output. The techniques and methods we will teach in this workshop will work for all levels.
HOW TO WRITE THRILLERS
Taught by Dean Wesley Smith, author of at least two dozen thriller novels under various names. First taught here at the coast, this workshop will help you not only learn how to write a thriller, the hardest genre of them all to write, but this workshop will help you speed up all books when you want to.
This workshop combines a lot of different areas of how to relay to the reader to keep reading. From plotting to pacing to character and so much more. Some people call thrillers “big books.” That’s because thrillers often require scope, multiple characters, and other skills this workshop will help you get a handle on.
If readers can put your books down while reading them, if they stop along the way, if they give reviews that it was slow, this workshop will fix those problems.
HOW TO WRITE SERIES NOVELS IN ALL GENRES
Taught by Dean Wesley Smith with the help of Kristine Kathryn Rusch. For both of them, many of their hundred plus novels each have been in series. And there are many, many skills to writing successful series books that hold readers from one book to another.
This workshop will cover series in all genres, from fantasy, science fiction, mystery, and even romance, which is a genre difficult to write series in. This workshop will talk about character threads through novels, plot arches, setting threads, and so much more, including how to even see that you might have a series idea. And with this new indie world, series are popular and sell better when a writer can do it correctly.
So everything you need to know about writing a successful series.
CHARACTER VOICE AND SETTING
If you want to learn how to get down inside character’s heads and stay there, this workshop teaches you that and so much more. And if critiques tell you your setting seems thin, you need this workshop.
An intense craft workshop that will help you learn how to develop memorable characters, memorable settings, and learn how to write multiple characters that can be told apart. Gain control over your own characters and learn the techniques that make a character and the setting around each character come alive to a reader.
Taught for six years here on the coast, but now has moved online.
WRITING WITH DEPTH
A sentence-by-sentence, clause-by-clause look at how you can write fiction, characters, settings, and plots with depth. Your writing, your characters, your fiction will take a huge jump forward with this workshop.
This workshop goes hand-in-hand with the Character Voice workshop and the Pacing workshop. Writing With Depth workshop adds in a third and final part to the puzzle of making characters and stories have real power that holds readers in your stories. And you can take the workshops in any order. They all just add to each other.
Last fall, Kris and I did a workshop called “Strengths” that looked at writers’ work up close and helped them, we hope, understand where they are strong, and where they need work. Almost everyone who took that class needed work consistency developing characters at a deeper level. But how?
In the Character Voice workshop, both here at the coast and now online, I often told writers they were just skimming over the surface and they needed to stay down in character’s heads more. But how?
The Writing With Depth workshop shows you exactly how.
Kris and I have finally worked out a way to get down into the details to show you exactly how to add depth to your characters and your work without hurting your plotting or your pacing.
Not a theory workshop. We show you directly how to do it and you practice it and get feedback from us on how to make your work even deeper.
HOW TO WRITE SCIENCE FICTION
Put together by Kristine Kathryn Rusch and Dean Wesley Smith. Kris is the only person to have won the Hugo Award for her writing and her professional editing of The Magazine of Fantasy and Science Fiction. Dean edited as well at Pulphouse and Pocket Books, writing and editing Star Trek for over ten years. He also wrote Men in Black original novels and many, many other very popular science fiction books.
Right now Dean is also writing two science fiction series under his own name and Kris is also writing two science fiction series under her own name as well as have short stories appear regularly in Asimov’s and Analog magazines. In fact, she’s won the Asimov’s Reader’s Choice Award five times and the Analog one a few times.
Kris and Dean, with Dean doing most of the talking, will lead you through how to write science fiction short stories and novels. You’ll learn all the sub-genres of the field, as well as how to write in each and what is required of each.
How to do science fiction series, how to come up with ideas, how to build your science fiction worlds without needing orbital mechanics, and so much more.
Again, this will cover both short fiction and novels. Science fiction is such a huge genre, but we’ll try to pack it all in a short six weeks.
PACING YOUR STORY
(Keeping Your Story Moving)
Ever wonder how a writer makes you stay up all night reading? And sometimes when the story doesn’t really hold you? This workshop teaches you the tricks and skills that will keep your story moving at the pace you want it to move.
From writing slow family scenes to fast action scenes, you will gain the control of the reader that you always wondered about.
This workshop will cover a vast amount of information and writing techniques. From short stories to novels and series novels, this class covers everything you will need to know about how to keep a story moving and the readers turning pages.
How to keep a reader reading from chapter to chapter and from scene to scene.
There are many ways besides the standard “hero hanging from a cliff” that the name of the technique is named after. In fact, there are six major cliffhangers and each week in this course will cover another way to keep your readers hooked into your stories.
The workshop will also cover how to speed up your stories and even understand when a scene or chapter should end.
Understanding how to use the major cliffhanger techniques will jump your sales and keep readers coming back to your work.
PITCHES AND BLURBS
Maybe the most important workshop we do. This workshop will teach you how to write great ad copy for your stories and novels.
Name value, then covers, then ad copy are the top three things readers look at before sampling your book.
This course will teach you how to write ad copy for electronic sales, for cover letters to editors, for catalog copy to bookstores, and also back cover copy for your books.
This skill takes time to learn and this workshop will get you on the road to selling more books and stories.
Writers seldom know what genre they write in. Every wonder why your book isn’t selling well? Maybe it’s because you put your book on the wrong electronic shelf.
Not only will this workshop teach you how to identify genres, but also will teach you the structure of all the major genres. That way if you decide to write a story or a novel in a certain genre, you will understand what you need to do.
This workshop goes down inside the structure of each genre and many subgenres. You will understand genre when you finish this workshop.
Any questions on any workshop, just contact me.
More information about the workshops can be found under the Online Workshop tab above.