SPECIAL THIS MONTH ONLY
For only October online workshops, since we are doing a Fiction River subscription drive this month, for every October online workshop you sign up for, you get your choice of three electronic back issues of Fiction River, or a three issue electronic subscription. (We will extend existing subscriptions if you like.)
When the workshops start around October 6th, I will ask those signed up which Fiction River issues you would like.
Online Workshop Details
TO SIGN UP, PLEASE FOLLOW THE INSTRUCTIONS BELOW.
LIMIT OF ABOUT 12 WRITERS PER WORKSHOP. This limit of 12 writers allows the instructor(s) to give each writer more personal attention.
Structure of every workshop:
— Each week for six weeks video lectures will be available for the writer to listen and watch in their own time. (Video lectures will be about 6 to 8 or so minutes long each and there will be about six or so of them per week depending on topic.)
— Each week will include an assignment which will need to be sent as an attached file within five days. We will work personally with each writer or book designer, and send the assignments back to each person before the end of the week. (The assignments are not mandatory, but suggested to get the most out of each workshop.)
— Then each week we will record a short (5 minutes or so) video talking in general (never giving names) about the assignment for everyone in the class to watch. Then the following week’s assignment and lecture will be available.
— Each new video will be released on the same day of the week as the first one for six weeks. So if the workshop starts on Monday, the new weekly video session will be released every Monday.
Workshops are all SIX WEEKS LONG.
Cost of online workshops is $300.00 each. (Payment instructions at the bottom of the page.)
The workshops will have a distinctive web site. The website will have FAQ and comments sections for discussions and other areas of interest for each workshop. About one week before each workshop I will contact each writer signed up and get them a password to the class location.
NO REFUNDS. However, your money can be moved to a different workshop down the road if you have schedule or health problems. We will work with you.
My e-mail address for these workshops is email@example.com. Please put only WORKSHOPS in the subject line. Or if I do not respond, e-mail me at my address of firstname.lastname@example.org. I try to respond fairly quickly, meaning within the same day.
I’m listing the workshops that started or will start in 2014 first. Remember, all these workshops are limited to 12 writers per month.
(New workshop started in September 2014)
Kris and I are two of the most prolific long-term writers working today. And we have done that year-after-year for thirty years. Well, finally we decided to tackle the one area we have been avoiding in teaching.
That’s right, we’re finally going to teach that skill. And in this new indie world, productivity is a critical skill to have.
If you followed my blog last year and watched me write twelve novels, three nonfiction books, and thirty-plus short stories while working a day job with WMG Publishing and workshops, you know what productivity is. Kris and I can teach you how to do that and a lot of other ways of being productive.
If you are tired of looking back at a year and wondering why you didn’t write more, this workshop is for you.
If you think you just write too slow, this workshop is for you.
So for a six week workshop online, we are going to help writers become more productive and learn habits and techniques that will keep you productive for years to come. Six weeks of videos, five assignments. If you want an extra book per year, or just more stories, and can never seem to make it happen, this new workshop starting in September is for you.
We can all find extra time, but most writers don’t know how to convert that extra time over months and a year into more stories and novels.
This is a nuts and bolts workshop, not on craft workshop. This workshop will work if you want to write a first novel or just add more novels and stories to your yearly output. The techniques and methods we will teach in this workshop will work for all levels.
HOW TO WRITE THRILLERS
(new workshop started in June 2014)
Taught by Dean Wesley Smith, author of at least two dozen thriller novels under various names. First taught here at the coast, this workshop will help you not only learn how to write a thriller, the hardest genre of them all to write, but this workshop will help you speed up all books when you want to.
This workshop combines a lot of different areas of how to relay to the reader to keep reading. From plotting to pacing to character and so much more. Some people call thrillers “big books.” That’s because thrillers often require scope, multiple characters, and other skills this workshop will help you get a handle on.
If readers can put your books down while reading them, if they stop along the way, if they give reviews that it was slow, this workshop will fix those problems.
HOW TO WRITE SERIES NOVELS IN ALL GENRES
(new workshop started in June 2014)
Taught by Dean Wesley Smith with the help of Kristine Kathryn Rusch. For both of them, many of their hundred plus novels each have been in series. And there are many, many skills to writing successful series books that hold readers from one book to another.
This workshop will cover series in all genres, from fantasy, science fiction, mystery, and even romance, which is a genre difficult to write series in. This workshop will talk about character threads through novels, plot arches, setting threads, and so much more, including how to even see that you might have a series idea. And with this new indie world, series are popular and sell better when a writer can do it correctly.
So everything you need to know about writing a successful series.
CHARACTER VOICE AND SETTING
(new workshop started January 2014)
If you want to learn how to get down inside character’s heads and stay there, this workshop teaches you that and so much more. And if critiques tell you your setting seems thin, you need this workshop.
An intense craft workshop that will help you learn how to develop memorable characters, memorable settings, and learn how to write multiple characters that can be told apart. Gain control over your own characters and learn the techniques that make a character and the setting around each character come alive to a reader.
Taught for six years here on the coast, but now has moved online.
WRITING WITH DEPTH
(New Workshop started in March 2014)
A sentence-by-sentence, clause-by-clause look at how you can write fiction, characters, settings, and plots with depth. Your writing, your characters, your fiction will take a huge jump forward with this workshop.
This workshop goes hand-in-hand with the Character Voice workshop and the Pacing workshop. Writing With Depth workshop adds in a third and final part to the puzzle of making characters and stories have real power that holds readers in your stories. And you can take the workshops in any order. They all just add to each other.
Last fall, Kris and I did a workshop called “Strengths” that looked at writers’ work up close and helped them, we hope, understand where they are strong, and where they need work. Almost everyone who took that class needed work consistency developing characters at a deeper level. But how?
In the Character Voice workshop, both here at the coast and now online, I often told writers they were just skimming over the surface and they needed to stay down in character’s heads more. But how?
The Writing With Depth workshop shows you exactly how.
Kris and I have finally worked out a way to get down into the details to show you exactly how to add depth to your characters and your work without hurting your plotting or your pacing.
Not a theory workshop. We show you directly how to do it and you practice it and get feedback from us on how to make your work even deeper.
HOW TO WRITE SCIENCE FICTION
(Started in September, 2014)
Put together by Kristine Kathryn Rusch and Dean Wesley Smith. Kris is the only person to have won the Hugo Award for her writing and her professional editing of The Magazine of Fantasy and Science Fiction. Dean edited as well at Pulphouse and Pocket Books, writing and editing Star Trek for over ten years. He also wrote Men in Black original novels and many, many other very popular science fiction books.
Right now Dean is also writing two science fiction series under his own name and Kris is also writing two science fiction series under her own name as well as have short stories appear regularly in Asimov’s and Analog magazines. In fact, she’s won the Asimov’s Reader’s Choice Award five times and the Analog one a few times.
Kris and Dean, with Dean doing most of the talking, will lead you through how to write science fiction short stories and novels. You’ll learn all the sub-genres of the field, as well as how to write in each and what is required of each.
How to do science fiction series? That’s included, as well as some study of the classics and what made them classics in the field.
How to come up with ideas, how to build your science fiction worlds without needing orbital mechanics, and so much more.
Again, this will cover both short fiction and novels. Science fiction is such a huge genre, but we’ll try to pack it all in a short six weeks.
Regular Ongoing workshops…
PROMOTION (Making More Money On Your Writing)
For indie writers and traditional writers alike, this workshop teaches you the sane ways to promote your work and remain a writer at the same time. Just as the Pitches and Blurb Workshop teaches you how to write sales copy for backs of books and blurbs and so much more, this workshop will teach you how to write different kinds of promotion copy.
The online promotions workshop is amazing, since we also added in a bunch of things we learned in the Advanced Master Class. The online promotions workshop will teach you how to sell to readers, how to get major trade reviews, how to sell to bookstores and let the world know your books even exist. It will help you know when to promote, when to write the next book, and we hope help you understand when to use social media and when not to bother.
The assignments will help you gain the skills to do all this, from writing Advanced Reader Copies back cover sales information to doing letters to readers and so much more, including how to use all the wonderful programs the ABA has to offer. If you have been afraid of promotion, or only using Twitter and Facebook to do it and your sales are very low, this online promotions workshop will help you learn how to do so much more while still having a ton of time to write the next book.
PACING YOUR STORY (Keeping Your Story Moving)
Ever wonder how a writer makes you stay up all night reading? And sometimes when the story doesn’t really hold you? This workshop teaches you the tricks and skills that will keep your story moving at the pace you want it to move.
From writing slow family scenes to fast action scenes, you will gain the control of the reader that you always wondered about. This will cover a vast amount of information and writing techniques. From short stories to novels and series novels, this class covers everything you will need to know about how to keep a story moving and the readers turning pages.
How to keep a reader reading from chapter to chapter and from scene to scene. There are many ways besides the standard “hero hanging from a cliff” that the name of the technique is named after. In fact, there are six major cliffhangers and each week in this course will cover another way to keep your readers hooked into your stories. It will also cover how to speed up your stories and even understand when a scene or chapter should end. Understanding how to use the major cliffhanger techniques will jump your sales and keep readers coming back to your work.
PITCHES AND BLURBS
Maybe the most important workshop we do. This workshop will teach you how to write great ad copy for your stories and novels. Name value, then covers, then ad copy are the top three things readers look at before sampling your book. This course will teach you how to write ad copy for electronic sales, for cover letters to editors, for catalog copy to bookstores, and also back cover copy for your books. This skill that takes time to learn and this workshop will get you on the road to selling more books and stories.
Writers seldom know what genre they write in. Every wonder why your book isn’t selling well? Maybe it’s because you put your book on the wrong electronic shelf. Not only will this workshop teach you how to identify genres, but also will teach you the structure of all the major genres. That way if you decide to write a story or a novel in a certain genre, you will understand what you need to do.
This workshop goes down inside the structure of each genre and many subgenres. You will understand genre when you finish this workshop.
Readers, if they make it through your cover and your ad copy, they open your book and sample your story or novel. And if you don’t know how to open a story, no reader or editor will buy it. There are ways to write openings of stories that will grab the reader and this course will teach you that. Also, every time you start a new chapter or a new section, you must grab the reader and keep them reading with the opening.
This course will teach you how to do that and work with you on the tricks and writing techniques of professional fiction writers.
IDEAS TO STORY
How to generate ideas for stories and then how to turn the ideas into solid stories. Professional writers never wait for the muse.
We know how to take anything and make it into a story. This workshop will get you over all the fears of starting and give you an entire bag of tools and tricks to take almost nothing and turn it into a story that sells.
From basic opening tricks to story structure, this workshop covers it all.
HOW TO PLOT YOUR NOVEL
Everything you might think you need and a ton more about how to plot a novel, from idea to finished plot. Includes such topics as plot threads, viewpoints, pacing, and a ton more. This will take you from an idea to a full novel outline and teach you how to do it any time you want without fear.
It also covers outlining and different methods of using outlines and how to use them and when not to use them.
How to make the worlds in your fiction seem real, including how to build science fiction worlds, mystery worlds, fantasy worlds and so much more. And how to present the worlds in a way that readers can follow them without huge information dumps.
Hundreds of tricks and details about how to put a world together and make it real in any genre.
We also have three design workshops taught by Dean Wesley Smith and Allyson Longueira, a professional book designer with a master’s degree in design.
BOOK COVER DESIGN
Everything you need to know about book cover design, from basic layout to fonts and which fonts work together. This will include how to design covers for both electronic and print books, including spines and back covers. Make your books look professional.
INTERIOR BOOK DESIGN
Everything you need to know about designing an interior of a book from basic front page layout to fonts and which fonts work together and which fonts are good for reading. You will learn margins, leading, running headers, masters for page counts, and so much more. This class is for the interior of print books. Make your books look professional.
Each workshop is 6 weeks long and is limited to 12 writers
Again, it will take you about four hours per week to do each of these. These are the starting dates of upcoming workshops. All have openings at the moment. (I have bolded the newer workshops that have started this year.)
Class #21… Oct 6th … How to Write a Thriller
Class #22… Oct 6th … How to Write Series Novels
Class #23… Oct 6th … Genre Structure
Class #24… Oct 6th … Character Voice/Setting
Class #25… Oct 7th … Pitches and Blurbs
Class #26… Oct 7th … Depth in Writing
Class #27… Oct 7th … How to Write Science Fiction
Class #28… Oct 8th … Pacing Your Novel
Class #29… Oct 8th … Cliffhangers
Class #30… Oct 8th … Productivity
Class #31… Nov 3rd … Depth in Writing
Class #32… Nov 3rd … (to be announced)
Class #33… Nov 3rd … Character Voice/Setting
Class #34… Nov 4th … Designing Book Covers
Class #35… Nov 4th … Designing Book Interiors
Class #36… Nov 4th … How to Write Science Fiction
Class #37… Nov 5th … Promotion for Writers
Class #38… Nov 5th … Ideas
Class #39… Nov 5th… Plot Your Novel
Class #40… Nov 5th … Productivity
Class #41… Dec 1st … How to Write a Thriller
Class #42… Dec 1st … How to Write Series Novels
Class #43… Dec 1st … Genre Structure
Class #44… Dec 1st … Character Voice/Setting
Class #45… Dec 2nd … Pitches and Blurbs
Class #46… Dec 2nd … Depth in Writing
Class #47… Dec 2nd … Productivity
Class #48… Dec 3rd … Pacing Your Novel
Class #49… Dec 3rd … Cliffhangers
Class #50… Dec 3rd … Openings
HOW TO SIGN UP
Step One: In an e-mail or snail mail letter, answer the following questions. Please number each answer.
- Full Name
- e-mail address
Step Two: Also in the letter include the following:
1. Pick the workshop number and name of the workshop you are signing up for.
(You can sign up for more than one if you like. We had a number of people do that and they seemed to do fine. In fact, we had one great writer who did five at one time, but I would not suggest that. (grin))
2. List an alternate workshop or date in case the workshop is full by the time you get signed up. I will e-mail you if that is the case to work out a solution. (That has seldom happened in the last seven months, so no real worries about that.)
1. Send answers to: email@example.com with the subject header WORKSHOP only in the subject line. Or mail to WMG Publishing Online Workshops, PO Box 479 Lincoln City, OR 97367
2. Send full payment of $300 for each workshop. Payment can be sent by check to the above address or by Paypal to Dean@deanwesleysmith.com. Checks should be made out to WMG Publishing and please put the workshop number and workshop name on the check.
(If a workshop is full and you have paid for it, I will refund your money, so no worry there either.)