Online Workshop Details
TO SIGN UP, PLEASE FOLLOW THE INSTRUCTIONS BELOW.
REGULAR WORKSHOP STRUCTURE…
LIMIT OF ABOUT 12 WRITERS PER REGULAR WORKSHOP. This limit of 12 writers allows the instructor(s) to give each writer more personal attention.
Structure of every regular workshop:
— Each week for six weeks video lectures will be available for the writer to listen and watch in their own time. (Video lectures will be about 6 to 8 or so minutes long each and there will be about six or so of them per week depending on topic.)
— Each week will include an assignment which will need to be sent as an attached file within five days. We will work personally with each writer or book designer, and send the assignments back to each person before the end of the week. (The assignments are not mandatory, but suggested to get the most out of each workshop.)
— Then each week we will record a short (5 minutes or so) video talking in general (never giving names) about the assignment for everyone in the class to watch. Then the following week’s assignment and lecture will be available.
— Each new video will be released on the same day of the week as the first one for six weeks. So if the workshop starts on Monday, the new weekly video session will be released every Monday.
CLASSIC WORKSHOP STRUCTURE
— The classic workshops used to be regular workshops, but you can sign up for them, and go through all the videos as fast as you would like. The homework assignments are still there, as well as the responses from a previous workshop, but you do not send in any assignments. You just do them for yourself. And you can come back over the years as often as you want without any extra costs.
Standard workshops are all SIX WEEKS LONG.
Classic workshops you can go through as slow or as fast as you want.
Cost of online workshops is $300.00 each. (Payment instructions at the bottom of the page.)
Cost of Classic online workshops is $150.00 each. (Payment instructions at the bottom of the page.)
The workshops will have a distinctive web site. The website will have FAQ and comments sections for discussions and other areas of interest for each workshop. About one week before each workshop I will contact each writer signed up and get them a password to the class location.
NO REFUNDS. However, your money can be moved to a different workshop down the road if you have schedule or health problems. We will work with you.
My e-mail address for these workshops is firstname.lastname@example.org. Please put only WORKSHOPS in the subject line. Or if I do not respond, please try again. I try to respond fairly quickly, meaning within the same day.
Sign up information at the bottom of the page!
Regular Workshop Schedule
Each regular workshop is 6 weeks long and is limited to 12 writers. (Classic workshops are unlimited)
Again, it will take you about four hours per week to do each of these. These are the starting dates of upcoming regular workshops. All have openings at the moment.
Class #41… Nov 2nd … Pitches and Blurbs
Class #42… Nov 2nd … How to Write Thrillers
Class #43… Nov 2nd … Adding Suspense to Your Writing
Class #44… Nov 2nd … Advanced Dialog
Class #45… Nov 3rd … Character Development
Class #46… Nov 3rd … Depth in Writing
Class #47… Nov 3rd … Making a Career
Class #48… Nov 4th … Cliffhangers
Class #49… Nov 4th … Pacing Your Novel
Class #50… Nov 4th … Advanced Depth
Class #51… Dec 7th … Advanced Depth
Class #52… Dec 7th … Character Voice/Setting
Class #53… Dec 7th … Adding Suspense to Your Writing
Class #54… Dec 7th … Ideas into Stories
Class #55… Dec 8th … Character Development
Class #56… Dec 8th … Depth in Writing
Class #57… Dec 8th … Advanced Dialog
Class #58… Dec 9th … Designing Covers
Class #59… Dec 9th … Writing and Selling Short Stories
Class #60… Dec 9th … How to Write Science Fiction
CLASSIC WORKSHOP OFFERINGS
No dates, since you can sign up for these at any point and go through them as slow or as fast as you would like. And as often as you would like.
Writing in Series… Classic
Making a Living with Your Writing… Classic
Genre Structure… Classic
Remember, all these REGULAR workshops are limited to 12 writers per month.
Classic workshops are unlimited.
Advanced Dialog Online Workshop
Most writers feel moderately comfortable with dialog. And when a writer gets to that comfort level, they stop paying attention and think there is no more to be learned about dialog.
But dialog at the next level works as a very, very powerful tool for a writer to use to help in characterization, help a book pace correctly, help hold readers into your novels.
Advanced Dialog Online Workshop will give you those powerful tools.
In this advanced dialog workshop, you will learn the following and so much more…
— Dialog structures for content. (Most writers don’t even realize that dialog has different structures depending on content.)
— How to use dialog to pace your scenes.
— How to use dialog to develop a character.
— How to use dialog to help in getting a reader into a story through character. (Yes that is another aspect of depth not even covered in the Advanced Depth workshop.)
— Use dialog to help your characters come alive. If you would not feel comfortable in typing out a scene with Kirk, Spock, and McCoy in the same conversation and make them sound different in dialog, you need this one area of the workshop.
— So much more in six weeks. This workshop, as with many workshops, will be not only a teaching workshop, but an awareness workshop. Once you know all these tools around dialog are there, you can start learning how to use them in your own work. But you have to see the techniques first.
This workshop says “Advanced” because all writers, at a basic level, have the tools for basic dialog already. But if that is all you have, much of your stories are just flat I’m afraid. So this workshop is right for all levels of writers.
To be honest, if you really think you are fine with dialog, you need this workshop. You have stopped learning and seeing and your writing is suffering for it.
Adding Suspense to Your Writing Workshop
If a person comes up to you and asks you how you add suspense to your writing and you don’t automatically know the four or five main ways, this workshop is for you.
Suspense is a major plotting and craft tool to keep readers from leaving your books. And suspense can and often should be part of every type of fiction. Romance, science fiction, thriller, mystery, you name it, any book can be improved with knowledge about how to add suspense to your writing.
Suspense is where plot connects to craft.
And yes, we will talk in passing about the small sub-genre of “suspense” one week.
But this new workshop is about adding suspense to all your books to hold your readers in your story. Don’t let another reader stop on one of your books. Learn how to add in suspense.
Character Development Workshop
After you set up a great character in your opening, then what? How do you develop the character into a living, breathing, memorable character?
This workshop fits with the Depth Workshop and Character Voice Workshop. All three work together and you can take them in any order. Or even all at the same time.
Instead of focusing on only the openings, this workshop will focus on the development of a character through a story. All kinds of characters in every genre.
Characters make a story memorable. We all describe books by the memorable character. A Travis McGee novel. Or a Jack Reacher novel. Or an Alex Cross novel. Or a Dirk Pitt novel. Or a Smokey Dalton novel. Or a Poker Boy story. And on and on and on.
Memorable characters, well-developed characters, are why publishers put the character names on the covers of books. Readers want to read more by those characters.
Among the many areas worked on in this workshop:
— Character background without information dumps that bore.
— Know how to do characters that become the emotional heart of a story.
— Know how to make a character memorable.
— How to make a character become larger-than-life.
— How to make a character come off the page and actually live in reader’s minds.
— Character Pacing
— How to develop memorable, living characters while writing into the dark.
— And so much more, including many, many professional writer tricks of the trade.
There are only seven basic plots. What makes a story unique is the character development. That development is what this workshop is all about.
Important for all genres.
In the Depth Workshop, writers learned how to get readers down into stories with character depth.
In Advanced Depth, the focus is how to open chapters and scenes in different ways, as well as alternate openings.
In the Character Voice Workshop, the study concerned on how to make characters different.
The new Character Development Workshop now takes the character work into the first third and middle of the books, to make characters round and alive and memorable to the readers when they finish your story or book.
Along with the Depth Workshop, this is a don’t miss workshop.
Note: I will hold this strictly to the limit of 12 writers because of the difficulty on my side of reading and working with each writer on this topic. So don’t wait to sign up to the last minute on this one.
Making a Career
With Your Fiction Writing
Fiction writers are plagued with so many rules that is seems at times almost impossible to make sense of them all, let alone know which way to go to build a career with fiction writing.
Long term professional fiction writers have weaved their way through the rules over years and years, adapting some, ignoring others, and getting sidetracked for years by others to get to making a career.
Making a Career is a six week workshop designed to save you years of wrong roads, wasted time, and wasted emotional energy. This workshop will give you the clear information to make your own choices about the rules you hear and the path it takes to get to a career.
This may very well be the most important workshop we have ever done.
In six weeks, this workshop will cover both craft and business in fiction writing. Over fifty different rules and suggestions to help you make smart choices and build a career.
That’s right, over fifty. And there are many more. You may be just accepting as fact some of the rules and choices while hurting your work and your business.
The goal of this workshop is to save you years of heartache and headache and missed opportunities with your fiction writing.
The structure will be this for every rule talked about:
— What is the craft or business publishing rule?
— How and why did the rule originate.
— The value of the rule, when to use it, when to ignore it in building a career.
— How to get around the rule if you need to in building your own career.
— How to find more information about what to do in certain areas.
— And lots of suggestions to help you make decisions in your career building.
Among other things, the five assignments will be focused to help you understand how to see a rule you may be following, how to analyze a rule to see if it is something you feel is needed to help build a career, and how to fight the critical voice that forces us all to make bad rule choices in building our careers.
Writers of all levels need this workshop.
Kris and I are constantly working to create workshops that we wish we would have had at different points along the way. This workshop may fit that goal better than any we have done.
This workshop will save you years in wrong turns, and help you advance faster toward your writing and publishing goals. That we can promise.
ADVANCED DEPTH WORKSHOP
Learn even more ways to keep your readers from ever leaving your stories.
Requirement: You must have already taken the Depth Online Workshop to take this one. (Information on that below.) This advanced workshop takes off where the Depth workshop ended.
And here are just some of the things we are going to cover in this workshop.
— How to hold readers in chapter and scene openings, once you have a reader down at depth.
— Shortcuts of depth.
— How to set character mood to help depth.
— How to use suspense to increase the power of depth in a story.
— How to use the correct levels of depth in different projects.
— Character voice and character attitude in creating depth.
— Depth with tags of all sorts, including character tags and setting tags.
— Depth increased by the correct use of pacing.
— Character pacing to increase depth. (If you don’t think characters inside stories have different pacing levels, just sit in an airport and watch people.)
— Depth killers to avoid. Things that will knock readers out of books faster than anything, such as too many names for the same character (among many other killer problems).
And so much more.
This workshop will also talk regularly about reader expectations in stories. It will be taught in the same style as the first Depth workshop with examples of each concept and assignments to test your skills in certain areas.
If you want to know what levels are possible to take your writing, this is the workshop for you.
It will be an eye-opening workshop, we promise.
Learn How to Help Your Books Get Found By Readers
(Offered only as Classic)
In other words, this is the workshop you need to take when you are all done writing and your book is either coming out indie or traditional. How do you get your work into more reader’s awareness?
What can you do to get your book out there so that readers who love it will find it? That has always been the question in publishing and this new world is no different.
However, in this new world, writers are in control of this part of the business for the most part and now have a thousand choices to make on helping their books get found. And sometimes those choices vary from book to book.
You can do passive marketing such as pricing and branding covers and active blurbs, things that need to be done right no matter what else you do.
But how much time do you want to spend on websites, blogs, social media, and going after reviews for your books? And how to do all that effectively so that the marketing time does not eat into your writing time.
It has always been the case that writing the next book is the best promotion for your last book. But we all want to do more. So how much do you want to do? What is the value, and so on? This workshop will cover all that as well.
The point of this workshop is to give each writer choices in marketing. One choice for one writer might be perfect and work while the same choice for another writer would hurt their writing and not be who they are as a writer. And one choice for one book would suck as a choice for the very next book. You, as a publisher, a marketer, need to know when to do marketing, what kind works for that book, and when not to and go back and write the next book instead.
Outside of the craft workshops to help you write better books, this may be the best workshop we will do. It’s taken a village to put it together, that’s for sure.
MAKING A LIVING WITH YOUR FICTION WRITING
(Offered only as Classic)
Turn your dream into reality (without ever having to have a bestseller).
Every writer works and thinks differently. In this new world, no one road will get you to that dream of making a living with your fiction. But knowing how to set up goals and knowing which path to walk remains critical to success.
This workshop will help you find the right path for your fiction writing.
Kristine Kathryn Rusch and I both made a living for decades in the old system, and four years ago we moved to the new world, to the indie world of publishing. And now we are making even more money.
We now bring that knowledge to this workshop to help others.
Sometimes using parts of both traditional and indie systems might be right for some writers. Other writers only want to go indie. This workshop will cover both those paths and many others.
And this workshop helps you avoid wrong turns and bad decisions as much as possible.
So for a six week workshop online, we are going to help writers figure out how to get from dreaming of making a living with fiction to knowing it can be possible and how they can get to the dream.
This is a nuts and bolts business and money workshop, not a craft workshop. This workshop will work for you if you are just thinking of writing your first novel or if you have twenty novels written and want to finally make a living with the work.
And this workshop will be blunt, clear, and straight forward, as everyone has come to expect from me and Kris.
If you want to learn how to sell a few more copies of one book, take the Promotion workshop. If you want to learn how to build a career and make a living with your fiction over decades, this workshop is the one for you.
(Offer only as Classic)
Kris and I are two of the most prolific long-term writers working today. And we have done that year-after-year for thirty years. Well, finally we decided to tackle the one area we have been avoiding in teaching.
That’s right, we’re finally going to teach that skill. And in this new indie world, productivity is a critical skill to have.
If you followed my blog last year and watched me write twelve novels, three nonfiction books, and thirty-plus short stories while working a day job with WMG Publishing and workshops, you know what productivity is. Kris and I can teach you how to do that and a lot of other ways of being productive.
If you are tired of looking back at a year and wondering why you didn’t write more, this workshop is for you.
If you think you just write too slow, this workshop is for you.
So for a six week workshop online, we are going to help writers become more productive and learn habits and techniques that will keep you productive for years to come. Six weeks of videos, five assignments. If you want an extra book per year, or just more stories, and can never seem to make it happen, this new workshop starting in September is for you.
We can all find extra time, but most writers don’t know how to convert that extra time over months and a year into more stories and novels.
This is a nuts and bolts workshop, not on craft workshop. This workshop will work if you want to write a first novel or just add more novels and stories to your yearly output. The techniques and methods we will teach in this workshop will work for all levels.
WRITING AND SELLING SHORT STORIES
In this new world of publishing, short stories suddenly became critical to the success of any writer.
This workshop functions as a business and a craft workshop. We will show you how you can make a lot of extra money from short fiction, and how to write major short stories for any genre.
Kristine Kathryn Rusch, who helped set this workshop up (even though I do the talking) is the only writer in history to be in all four Dell Magazines (Asimov’s, Hitchcock’s, Analog, and Ellery Queen). She has done that in the same year four times now. She won the Asimov’s Reader’s Choice Award six times, and reader’s choice awards for Analog and Queen as well.
Kris also is the only person on the planet to win the Hugo Award for best professional editor and for her short fiction.
I was also on the Hugo Award five or six times for my editing. Kris edited The Magazine of Fantasy and Science Fiction and Pulphouse. I also edited for Pulphouse, for VB Tech, and for Pocket Books, all in short fiction. Kris and I also won a World Fantasy Award for our editing of short fiction work.
Kris and I both have written well past 400 short stories each. And been professional short fiction editors.
We now bring that knowledge to this workshop to help others learn how to write and sell short stories.
Short stories play a major role in our new world of publishing. Any writer wanting to make great money needs to know how to write short fiction, even if they only write one for an invite anthology or a promotion. Discoverability is everything these days, and short stories help in more ways than possible to imagine.
This is a nuts and bolts business and craft and money workshop. All three. We will cover it all.
And this workshop will be blunt, clear, and straight forward, as everyone has come to expect from me and Kris.
If you want to learn how to write and sell short stories and improve your discoverability and make more money with your writing, this workshop is the one for you.
HOW TO WRITE THRILLERS
Taught by Dean Wesley Smith, author of at least two dozen thriller novels under various names. First taught here at the coast, this workshop will help you not only learn how to write a thriller, the hardest genre of them all to write, but this workshop will help you speed up all books when you want to.
This workshop combines a lot of different areas of how to relay to the reader to keep reading. From plotting to pacing to character and so much more. Some people call thrillers “big books.” That’s because thrillers often require scope, multiple characters, and other skills this workshop will help you get a handle on.
If readers can put your books down while reading them, if they stop along the way, if they give reviews that it was slow, this workshop will fix those problems.
HOW TO WRITE SCIENCE FICTION
Put together by Kristine Kathryn Rusch and Dean Wesley Smith. Kris is the only person to have won the Hugo Award for her writing and her professional editing of The Magazine of Fantasy and Science Fiction. Dean edited as well at Pulphouse and Pocket Books, writing and editing Star Trek for over ten years. He also wrote Men in Black original novels and many, many other very popular science fiction books.
Right now Dean is also writing two science fiction series under his own name and Kris is also writing two science fiction series under her own name as well as have short stories appear regularly in Asimov’s and Analog magazines. In fact, she’s won the Asimov’s Reader’s Choice Award five times and the Analog one a few times.
Kris and Dean, with Dean doing most of the talking, will lead you through how to write science fiction short stories and novels. You’ll learn all the sub-genres of the field, as well as how to write in each and what is required of each.
How to do science fiction series? That’s included, as well as some study of the classics and what made them classics in the field.
How to come up with ideas, how to build your science fiction worlds without needing orbital mechanics, and so much more.
Again, this will cover both short fiction and novels. Science fiction is such a huge genre, but we’ll try to pack it all in a short six weeks.
HOW TO WRITE SERIES NOVELS IN ALL GENRES
(Offered only as Classic)
Taught by Dean Wesley Smith with the help of Kristine Kathryn Rusch. For both of them, many of their hundred plus novels each have been in series. And there are many, many skills to writing successful series books that hold readers from one book to another.
This workshop will cover series in all genres, from fantasy, science fiction, mystery, and even romance, which is a genre difficult to write series in. This workshop will talk about character threads through novels, plot arches, setting threads, and so much more, including how to even see that you might have a series idea. And with this new indie world, series are popular and sell better when a writer can do it correctly.
So everything you need to know about writing a successful series.
CHARACTER VOICE AND SETTING
If you want to learn how to get down inside character’s heads and stay there, this workshop teaches you that and so much more. And if critiques tell you your setting seems thin, you need this workshop.
An intense craft workshop that will help you learn how to develop memorable characters, memorable settings, and learn how to write multiple characters that can be told apart. Gain control over your own characters and learn the techniques that make a character and the setting around each character come alive to a reader.
Taught for six years here on the coast, but now has moved online.
WRITING WITH DEPTH
A sentence-by-sentence, clause-by-clause look at how you can write fiction, characters, settings, and plots with depth. Your writing, your characters, your fiction will take a huge jump forward with this workshop.
This workshop goes hand-in-hand with the Character Voice workshop and the Pacing workshop. Writing With Depth workshop adds in a third and final part to the puzzle of making characters and stories have real power that holds readers in your stories. And you can take the workshops in any order. They all just add to each other.
Last fall, Kris and I did a workshop called “Strengths” that looked at writers’ work up close and helped them, we hope, understand where they are strong, and where they need work. Almost everyone who took that class needed work consistency developing characters at a deeper level. But how?
In the Character Voice workshop, both here at the coast and now online, I often told writers they were just skimming over the surface and they needed to stay down in character’s heads more. But how?
The Writing With Depth workshop shows you exactly how.
Kris and I have finally worked out a way to get down into the details to show you exactly how to add depth to your characters and your work without hurting your plotting or your pacing.
Not a theory workshop. We show you directly how to do it and you practice it and get feedback from us on how to make your work even deeper.
PACING YOUR STORY
Ever wonder how a writer makes you stay up all night reading? And sometimes when the story doesn’t really hold you? This workshop teaches you the tricks and skills that will keep your story moving at the pace you want it to move.
From writing slow family scenes to fast action scenes, you will gain the control of the reader that you always wondered about.
This will cover a vast amount of information and writing techniques. From short stories to novels and series novels, this class applies to everything you will need to know about how to keep a story moving and the readers turning pages.
How to keep a reader reading from chapter to chapter and from scene to scene.
There are many ways besides the standard “hero hanging from a cliff” that the name of the technique is named after. In fact, there are six major cliffhangers and each week in this course will cover another way to keep your readers hooked into your stories. It will also cover how to speed up your stories and even understand when a scene or chapter should end.
Understanding how to use the major cliffhanger techniques will jump your sales and keep readers coming back to your work.
PITCHES AND BLURBS
Maybe the most important workshop we do.
This workshop will teach you how to write great ad copy for your stories and novels. Name value, then covers, then ad copy are the top three things readers look at before sampling your book.
This course will teach you how to write ad copy for electronic sales, for cover letters to editors, for catalog copy to bookstores, and also back cover copy for your books. This skill that takes time to learn and this workshop will get you on the road to selling more books and stories.
(Offered only as Classic)
Writers seldom know what genre they write in. Every wonder why your book isn’t selling well?
Maybe it’s because you put your book on the wrong electronic shelf. Not only will this workshop teach you how to identify genres, but also will teach you the structure of all the major genres. That way if you decide to write a story or a novel in a certain genre, you will understand what you need to do.
This workshop goes down inside the structure of each genre and many subgenres. You will understand genre when you finish this workshop.
IDEAS TO STORY
How to generate ideas for stories and then how to turn the ideas into solid stories. Professional writers never wait for the muse.
We know how to take anything and make it into a story. This workshop will get you over all the fears of starting and give you an entire bag of tools and tricks to take almost nothing and turn it into a story that sells.
From basic opening tricks to story structure, this workshop covers it all.
BOOK COVER DESIGN
Taught by Dean Wesley Smith and Allyson Longueira, a professional book designer with a master’s degree in design.
Everything you need to know about book cover design, from basic layout to fonts and which fonts work together. This will include how to design covers for both electronic and print books, including spines and back covers. Make your books look professional.
This is taught in InDesign.
HOW TO SIGN UP
Step One: In an e-mail or snail mail letter, answer the following questions. Please number each answer.
- Full Name
- e-mail address
Step Two: Also in the letter include the following:
1. Pick the workshop number and name of the workshop you are signing up for. Classic workshops just give the name.
(You can sign up for more than one if you like. We had a number of people do that and they seemed to do fine. In fact, we had one great writer who did five regular workshops at one time, but I would not suggest that. (grin))
Classic workshops you can do all five because there is no schedule on them. And you can go and come from them as often as you like into the future.
2. List an alternate workshop or date in case the workshop is full by the time you get signed up. I will e-mail you if that is the case to work out a solution. (That has seldom happened in the last seven months, so no real worries about that.) No reason to list an alternate on the Classic Workshops.
1. Send answers to: email@example.com with the subject header WORKSHOP only in the subject line. Or mail to WMG Publishing Online Workshops, PO Box 479 Lincoln City, OR 97367
2. Send full payment of $300 for each regular workshop or $150 for each classic worksho. Payment can be sent by check to the above address or by Paypal to Dean@deanwesleysmith.com. Checks should be made out to WMG Publishing and please put the workshop number and workshop name on the check.
(If a regular workshop is full and you have paid for it, I will refund your money, so no worry there either.)